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Big Ant is just out of prison and struggling to reconnect with his wife and adolescent son, Lil Ant, a sensitive artist who begins to see surreal, almost spectral visions of boys drifting around his neighborhood. A blend of social and magical realism with allusions to Greek mythology, the film has its head in the clouds without losing sight of the street-level conditions that shape its characters’ lives.

Haru and Luis love competing in Tokyo’s ballroom dance scene, but after tragedy strikes, Haru withdraws into isolation. When friends coax her back to the studio, she develops an infatuation with the new instructor — and she must face what comes next as sparks fly. Grief, romance, Fosse-like dance numbers and little magical realism collide in a true crowd-pleaser from this year’s Sundance Film Festival.

At a posh country club outside Manila, 17-year-old Isabel from the rural north works the immaculate grounds, sampling its luxuries as the members engage in a complex dance with the staff. The deeper she journeys into its most exclusive corners, the closer she gets to the violent truths of the club, her native Philippines, and her own past.

After years of slapdash sequels and waning fandom, the Camp Miasma slasher franchise is handed over to an enthusiastic young director (Hannah Einbinder, Hacks) for resurrection. But when she visits the original movie’s star (Gillian Anderson), a now-reclusive actress shrouded in mystery, the two women fall into a blood-soaked world of desire, fear and delirium. Directed by Jane Schoenbrun (I SAW THE TV GLOW), straight from the 2026 Cannes Film Festival.