PRICE*: $10 ($8 members) | VIEWING WINDOW: 3 days WATCH ON: Computer, tablet, smartphone, Chromecast, AirPlay (or use a HDMI cable to connect your computer or tablet with your TV) NEED HELP? Belcourt FAQs *Because we’re streaming through the Belcourt's ticketing system, we’re delighted to be able to provide member pricing for this film. When prompted, sign in or create a Belcourt account. If you’d like to consider an additional donation to the Belcourt, we’d be most grateful. You can do so here.
PURCHASE VIRTUAL CINEMA TICKET
Part of World of Wong Kar Wai.
One of the most searing romances of the 1990s, Wong Kar Wai’s emotionally raw, lushly stylized portrait of a relationship in breakdown casts Hong Kong superstars Tony Leung and Leslie Cheung as a couple traveling through Argentina — locked in a turbulent cycle of infatuation and destructive jealousy as they break up, make up, and fall apart again and again. Setting out to depict the dynamics of a queer relationship with empathy and complexity on the cusp of the 1997 handover of Hong Kong — when the country’s LGBT community suddenly faced an uncertain future — Wong crafts a feverish look at the life cycle of a love affair that’s by turns devastating and deliriously romantic. Shot by ace cinematographer Christopher Doyle in both luminous monochrome and luscious saturated color, HAPPY TOGETHER is an intoxicating exploration of displacement and desire that swoons with the ache and exhilaration of love at its heart-tearing extremes.
Winner of the Best Director award at Cannes, 1997
This 4K digital restoration was undertaken from the 35mm original camera negative by the Criterion Collection in collaboration with L’Immagine Ritrovata and Jet Tone. It was supervised and approved by Wong Kar Wai.
“A deeply affecting portrait of a failing relationship…. Wong’s dynamic postmodern spectacle still holds the power to overwhelm and challenge audiences.” —David Pountain, Little White Lies “For all the simplicity of the narrative, HAPPY TOGETHER is anything but slight. It's a moody, contemplative piece of work, and a vividly tactile one as well, lingering on food, smoke, bodies, blood, and water.” —Jason Bailey, Vice