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Tue-Wed, Jul 18-19

DESPERATE SOULS, DARK CITY, AND THE LEGEND OF MIDNIGHT COWBOY

  • Dir. Nancy Buirski
  • USA
  • 2022
  • 101 min.
  • NR
  • DCP
  • Assistive Listening
  • Closed Captioning
  • Hearing Loop
DESPERATE SOULS, DARK CITY, AND THE LEGEND OF MIDNIGHT COWBOY

A half century after its release, MIDNIGHT COWBOY remains one of the most original and groundbreaking movies of the modern era. With beguiling performances from Jon Voight and Dustin Hoffman as two loners who join forces out of desperation, blacklist survivor Waldo Salt’s brilliant screenplay, and John Schlesinger’s fearless direction, the 1969 film became the only X- rated film to ever win the Academy Award for Best Picture. Its vivid and compassionate depiction of a more realistic, unsanitized New York City and its inhabitants paved the way for a generation’s worth of gritty movies with complex characters and adult themes.

But this is not a documentary about the making of MIDNIGHT COWBOY — it is about the deeply gifted and flawed people behind a dark and difficult masterpiece; New York City in a troubled time of cultural ferment; and the era that made a movie and the movie that made an era. Featuring extensive archival material and compelling new interviews, director Nancy Buirski illuminates how one film captured the essence of a time and a place, reflecting a rapidly changing society with striking clarity.

See also: MIDNIGHT COWBOY (Tue, Jul 18)


“In DESPERATE SOULS, DARK CITY AND THE LEGEND OF MIDNIGHT COWBOY, the juiciest parts are digging into the film itself, a work of art that warrants the lavish treatment Buirski gives it and can be expected to get everybody talking again.” —Stephen Saito, The Moveable Fest

“Though you might think MIDNIGHT COWBOY’s main claim to fame is one of the most famous improvised lines in screen history (‘I’m walkin’ here!’), Nancy Buirski’s fascinating and really quite hypnotic documentary will introduce more thoughts and perspectives on a truly underrated Hollywood milestone…. More of a mosaic or essay film than a forensic dissection, but here that phrase does a disservice, since it gets into ideas and themes in ways traditional docs can’t.” —Damon Wise, Deadline

See the Official Website