Part of Essential Coppola
“Everyone gets everything he wants. I wanted a mission, and for my sins they gave me one.” Army Special Forces operative Captain Willard (Sheen) is assigned to go up the Nùng River, find rogue Colonel Kurtz (Brando) who is now conducting a savage guerrilla war from his own fiefdom in Cambodia, and “terminate his command.” Teamed with an assortment of oddball conscripts (Frederic Forrest, Laurence Fishburne, Albert Hall and Sam Bottoms), Willard’s journey upriver evokes a modern day Odyssey, replete with surfing and napalm-sniffing Lt. Colonel Kilgore (Robert Duvall), Playboy bunnies, ambushes by tigers and bow-and-arrow wielding natives, and a dream-like compound of colonial French planters. When Willard finally engages Kurtz, he must reconcile how some acts of depravity must be condemned, while others are awarded medals of honor.
Coppola revisited the film twice. A “Redux” version was released in 2001, including scenes and extra footage originally cut at the behest of the studio for commercial considerations. Now, this fine-tuned “Final Cut” stands as the director’s preferred vision.
Winner of two Academy Awards (Cinematography, Sound) out of nine nominations including Best Picture, APOCALYPSE NOW stars Marlon Brando, Martin Sheen, Robert Duvall, Frederic Forrest, Laurence Fishburne and Dennis Hopper, with a script credited to Coppola, John Milius and Michael Herr.
"APOCALYPSE NOW is not merely the greatest film to come out of the Vietnam experience, but one of the great works about the madness of our times." —The Guardian “The bottom line is that this is probably the most satisfying of the three versions, a visceral but surreal journey into madness that feels monumentally alive.” —Steve Pond, The Wrap (Apr 29, 2019) “It demands to be seen [theatrically], both by longtime admirers and by young viewers lucky enough to have their first viewing be in a theater. This is an overwhelming sensory experience, with deep colors and nuanced sound amplifying the film’s hypnotic effect.” —John Defore, Hollywood Reporter (May 1, 2019)
