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Screening in 35mm

ONSLAUGHT (35mm)
Ends Sun, Sep 13 (35mm only)

ONSLAUGHT (35mm)

When a rogue squad of genetically engineered super soldiers break loose in the desert, a badass Army sniper must unleash hell to protect her young daughter in director Adam Wingard's nostalgic throwback to VHS-era action flicks. Exclusive 35mm Engagement – One of a Small Handful Nationwide
THE THIRD MAN (35mm)
Fri-Sun, Sep 11-13 at 11:30am, 1:45pm, 6:05pm

THE THIRD MAN (35mm)

A writer of pulp Westerns, arrives in a bombed-out, post-war Vienna at the invitation of his childhood friend Harry Lime only to find him dead in Carol Reed’s noir classic. New 35mm Print
THE ROOM (35mm) with Greg Sestero
Fri, Sep 18 at Midnight

THE ROOM (35mm) with Greg Sestero

A friendly, selfless man who greets everyone with a disarming "Oh, hai..." discovers that he can't trust anyone after getting engaged to a manipulative, self-serving siren who seduces his best friend and destroys his life. Screening in 35mm
THE ROOM (35mm)
Sat, Sep 19 at Midnight

THE ROOM (35mm)

A friendly, selfless man who greets everyone with a disarming "Oh, hai..." discovers that he can't trust anyone after getting engaged to a manipulative, self-serving siren who seduces his best friend and destroys his life. Screening in 35mm
Ken Russell’s THE DEVILS (35mm)
Opens Thu, Oct 15

Ken Russell’s THE DEVILS (35mm)

An enduring masterpiece of cinema starring Oliver Reed and Vanessa Redgrave, Ken Russell’s THE DEVILS is a prescient epic of obsession and corruption — and a defining work of art from seminal filmmaker Ken Russell. Ken Russell’s THE DEVILS is the uncut and unfiltered theatrical experience that Russell always envisioned — and the first time the film will be presented restored. Exclusive Engagement – New 35mm Print
CAMERON WINTER AT CARNEGIE HALL
Fri-Sun, Dec 11-13

CAMERON WINTER AT CARNEGIE HALL

Cameron Winter, in December 2025, after a months-long sold-out tour with his band Geese, returned to New York to play a single show at Carnegie Hall. This is the movie. Directed by Paul Thomas Anderson. Screening in 35mm