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Sean Baker’s Palme d’Or winner ANORA — starring Mikey Madison — continues its exclusive 35mm engagement at the Belcourt thought this Sun, Nov 10. After Nov 10, its run continues in digital (DCP). All screenings include a pre-recorded introduction from Baker, especially made for Belcourt audiences. Get tickets via the link in bio, or bit.ly/Belcourt-ANORA.

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@anorafilm @bakerfilms @mikeymadisonsfeed @mark.eydel @neonrated @spicyivyboy @vachetovmasyan @karrenkaragulian @ekamasova @lindsey.bug #anora #seanbaker #mikeymadison #markeidelstein #neonrated
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“...A towering achievement. This touching animated film serves as a reminder that [writer-director Adam] Elliot is a humanist who clearly sculpts his ‘clayographies’ (as he dubs his films) from the very essence of life itself.” —Manuel Betancourt @bmanuel @latimes

Opening this Fri, Nov 8, MEMOIR OF A SNAIL — from Academy Award-winning® animation writer and director Adam Elliot (MARY AND MAX), a poignant, heartfelt, hilarious chronicle of the life of an outsider finding her confidence and silver linings amongst the clutter of everyday life. (Link in bio, or bit.ly/MEMOIR-OF-A-SNAIL)

#memoirofasnail @ifcfilms @adam_elliott_clay #adamelliott
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Repost from @belcourtmidnights

Now that the madness that is October has come to a close, we here at Belcourt Midnights just wanted to take a second to send a huge thanks to our incredible staff. Between 12HoT and Rocky, October is chock full of weird hours, big crowds (seen here), and tons of clean up. We’re so lucky to have an amazing crew of folks who shoulder that insane schedule, sweep up what has to be a metric ton of popcorn, and keep serving you with a smile to ensure you have a great time at the movies. The quality, enthusiasm, dedication, and knowledge of our front of house crew is the best in the biz. They even give excellent film intros from time to time!
It also requires a lot of from our expert crew of projectionists who roll with whatever crazy ideas we throw out, and they always deliver such a beautiful and seamless viewing experience, even when it’s 2am and they’ve worked 4 late nights in a row. A lot of curveballs get thrown their way, from tech issues to “hey can you run this trailer I forgot to send to you until the last minute?” (yeah, my bad), and they make sure that you all are none the wiser.
So, if you’ve read all this and consistently have a good time thanks to these wonderful folks, the next time you’re in, please consider tossing a little extra in the tip bucket to show how much you appreciate them. They’re entirely the reason we’re able to do what we do. See ya at the movies!
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“A film that feels positively Dickensian in its scope and storytelling.” —@thenyff

BLITZ opens Fri, Nov 8 at the Belcourt — the latest film from Steve McQueen (Small Axe, 12 YEARS A SLAVE) follows the epic journey of a nine-year-old boy (newcomer Elliott Heffernan) in World War II London whose mother (Saoirse Ronan) sends him to safety in the countryside. Defiant and determined to return home, he escapes, only to find himself in immense peril. Alternately overwhelming and tender, McQueen’s dazzling film offers a multicultural portrait of a city in the grips of war. (Link in bio, or bit.ly/Belcourt-BLITZ)
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Sean Baker’s Palme d’Or winning ANORA — starring Mikey Madison — opens this Thu, Oct 31 in an exclusive #35mm engagement for its first week! (Starting Fri, Nov 8, the remainder of ANORA’s run will be digital.) Tickets at link in bio, or bit.ly/ANORA-35mm.

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@anorafilm @bakerfilms @mikeymadisonsfeed @mark.eydel @neonrated @spicyivyboy @vachetovmasyan @karrenkaragulian @ekamasova @lindsey.bug #anora #seanbaker #mikeymadison #markeidelstein #neonrated
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Now live on our website, new November films — including a new Restoration Roundup > bit.ly/Belcourt-Films 🎬 ...

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Repost from @thefemalegaze_nashville

Hey Witches! 🪄😏
Join us for our next meetup this Saturday, October 26th at 10 am @belcourttheatre for their “She’s a Witch!” seminar on the Witch in history and film, led by Jessica Lowe, lecturer in gender and sexuality studies at Vanderbilt University.

From the Belcourt:
“In this seminar, we’ll explore the figure of the witch in cinema, from 1922’s HAXAN to 2015’s THE WITCH and beyond. We’ll look at the earliest filmic depictions of the witch — in particular, films that explore the early modern witch and witch-hunt. We’ll think about legacies of the witch, changing depictions of the witch, and divergent ways both the witch and the “hunt” take on meaning.”

Hope to see you there! ✨

(🩸PS-for all of you Carrie voters out there, keep your eyes peeled🩸)
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“A delight and a revelation — a deft, funny, heady, beautifully staged ramble of a road movie….” —@Variety

Writer/director #JesseEisenberg’s A REAL PAIN — with Eisenberg and #KieranCulkin — opens Thu, Nov 14 at the Belcourt. And tix now on sale for the first week’s screenings (+ @nashville_jewish_film_festival introduces Nov 14’s 7pm screening). (Tickets at link in bio or bit.ly/A-REAL-PAIN)
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This Sat, Oct 26 at 10am — She’s a Witch! A Seminar on the Witch in History and on Film —led by Jessica Lowe, lecturer in gender and sexuality studies at @vanderbiltu. Tickets are $16 ($13 for members) — and free if you have a Shocktober Ticket 5-Pack (see link in bio, or bit.ly/Seminar-Shes-a-Witch.

Before witches became a Halloween season staple with their black hats, warts, and broomsticks, they were a figure of power and fear across the world and for thousands of years. But in 15th century Europe, a peculiar and ominous witch-figure was born: that of the diabolical witch, complicit in a continent-wide conspiracy led by the Devil himself. This early modern witch-figure contained within it fears of unruly gender, aberrant theological belief, and defiance of lawful authority. And, tragically, it was grimly instrumental in the European “witch-hunt” to come.

In this seminar, we’ll explore the figure of the witch in cinema, from 1922’s HÄXAN to 2015’s THE WITCH and beyond. We’ll look at the earliest filmic depictions of the witch — in particular, films that explore the early modern witch and witch-hunt. We’ll think about legacies of the witch, changing depictions of the witch, and divergent ways both the witch and the “hunt” take on meaning.
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Just announced! This Sat, Oct 26 at 1:30pm, a preview screening of Sean Baker’s ANORA, winner of the Palme d’Or at Cannes — before its full run opens Thu, Oct 31, with an opening week in exclusive #35mm!

• Preview screening tickets at link in bio, or bit.ly/Preview-ANORA
• Tickets for our exclusive #35mm screenings (Oct 31-Nov 7) at link in bio, or bit.ly/ANORA-35mm

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@anorafilm @bakerfilms @mikeymadisonsfeed @mark.eydel @neonrated @spicyivyboy @spicyivyboy @vachetovmasyan @karrenkaragulian @ekamasova @lindsey.bug
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“CONCLAVE is among the very best pictures of the year. It’s a knockout.” —@theavc

Opening this Thu, Oct 24 at the Belcourt, from director Edward Berger (ALL QUIET ON THE WESTERN FRONT), CONCLAVE — with Ralph Fiennes, Stanley Tucci, Isabella Rossellini and John Lithgow (tickets at link in bio, or bit.ly/Belcourt-CONCLAVE).
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Forever…✨

2008’s TWILIGHT — today (Sun, Oct 20) at 2:20pm + 7pm — and this Thu, Oct 24 at 3:50pm + 9:10pm* (*with an intro from musician and Belcourt staff member @brennanwedl). Tickets at link in bio, or bit.ly/Belcourt-TWILIGHT
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“DON’T LOOK NOW remains one of the great horror masterpieces, working not with fright, which is easy, but with dread, grief and apprehension. Few films so successfully put us inside the mind of a man who is trying to reason his way free from mounting terror.”” re #RogerEbert.

Nicolas Roeg’s brilliant adaptation of Daphne Du Maurier’s short story, 1973’s DON’T LOOK NOW — with Donald Sutherland and Julie Christie — today (Sat, Oct 19) at 12:15pm + 7pm, and tomorrow (Sun, Oct 29) at 12pm* (*with an intro from @nancymcguireroche, assistant professor of cinema and television studies at @BelmontUniv) + 9:35pm. (Tickets at link in bio, or bit.ly/DONT-LOOK-NOW) #shocktober
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In May 2025, the Belcourt Theatre turns 100!

Throughout the upcoming centennial year, we’ll celebrate the Belcourt’s history, the people and groups that marked its many chapters, the communities that have shaped it, and the theatre’s place in Nashville’s past, present and future.

To help fund this celebration and its related projects, we turn to the generous community that has supported the Belcourt at so many important junctures. In honor and support of the Belcourt’s centennial year, we’ve launched the Belcourt 100 Donor Circle — to seek gifts of $1,000 from 100 donors, specifically in support of our centennial programs and events.

You can learn more about the Belcourt 100 Donor Circle at the link in our bio, or belcourt.org/belcourt-100-donor-circle.
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• "The ultimate horror movie." —Guillermo del Toro
• "One of the few perfect movies ever made." —Quentin Tarantino
• "The most horrifying picture I`ve ever seen." —Stephen King

This coming Wed, Oct 16 at 5:30pm + 9:20pm, your last two chances to see the 50th anniversary restoration of THE TEXAS CHAIN SAW MASSACRE (🎟 tickets at link in bio, or bit.ly/TX-CHAIN-SAW-MASSACRE) #Shocktober
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“A smorgasbord of camp, Grand Guignol, and bird imagery that thumbed its metal beak at commercial considerations just a few years before the director’s unexpected transformation into a successful Hollywood filmmaker.” —Ignatiy Vishnevetsky, A.V. Club

Brian De Palma’s 1974 PHANTOM OF THE PARADISE — today (Mon, Oct 14) at 5:20pm + 8pm, and this Fri, Oct 18 at 2:45pm + 7pm (tickets at link in bio, or bit.ly/PHANTOM-OF-PARADISE). Part of #Shocktober.
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