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The Belcourt Theatre
ANORA (35mm)

ANORA (35mm)

Opens Thu, Oct 31
HALLOWEEN III: SEASON OF THE WITCH

HALLOWEEN III: SEASON OF THE WITCH

Wed, Oct 30 at 1:50pm, 7:00pm
CARRIE

CARRIE

Wed, Oct 30 at 9:00pm
CONCLAVE

CONCLAVE

Now Playing
Restoration Roundup

Restoration Roundup

October 25–December 16, 2024
THE FALL

THE FALL

Fri-Sat, Nov 1-2 at 9:00pm | Mon, Nov 4 at 8:00pm
BLADE RUNNER 2049

BLADE RUNNER 2049

Sun, Nov 3 at 8:00pm
The Belcourt 100 Donor Circle
Belcourt Stories Project
Now Playing
CONCLAVE
CONCLAVE
Now Playing
WE LIVE IN TIME
WE LIVE IN TIME
Ends Wed, Oct 30
THE SUBSTANCE
THE SUBSTANCE
Wed, Oct 30 at 1:50pm, 7:00pm
HALLOWEEN III: SEASON OF THE WITCH
HALLOWEEN III: SEASON OF THE WITCH
Wed, Oct 30 at 9:00pm
CARRIE
CARRIE
Wed-Thu, Oct 30-31 at 10:00pm | Fri-Sat, Nov 1-2 at Midnight
THE ROCKY HORROR PICTURE SHOW
THE ROCKY HORROR PICTURE SHOW
Opens Thu, Oct 31
ANORA (35mm)
ANORA (35mm)
Fri-Sat, Nov 1-2 at 9:00pm | Mon, Nov 4 at 8:00pm
THE FALL
THE FALL
Sat, Nov 2 at 11:00am | Wed, Nov 6 at 8:00pm
THE SEARCHERS
THE SEARCHERS
Belcourt Theatre

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Oct 28

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Sean Baker’s Palme d’Or winning ANORA — starring Mikey Madison — opens this Thu, Oct 31 in an exclusive #35mm engagement for its first week! (Starting Fri, Nov 8, the remainder of ANORA’s run will be digital.) Tickets at link in bio, or bit.ly/ANORA-35mm. = = = = = = = = = = @anorafilm @bakerfilms @mikeymadisonsfeed @mark.eydel @neonrated @spicyivyboy @vachetovmasyan @karrenkaragulian @ekamasova @lindsey.bug #anora #seanbaker #mikeymadison #markeidelstein #neonrated

Sean Baker’s Palme d’Or winning ANORA — starring Mikey Madison — opens this Thu, Oct 31 in an exclusive #35mm engagement for its first week! (Starting Fri, Nov 8, the remainder of ANORA’s run will be digital.) Tickets at link in bio, or bit.ly/ANORA-35mm.

= = = = = = = = = =
@anorafilm @bakerfilms @mikeymadisonsfeed @mark.eydel @neonrated @spicyivyboy @vachetovmasyan @karrenkaragulian @ekamasova @lindsey.bug #anora #seanbaker #mikeymadison #markeidelstein #neonrated ...

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Oct 25

Open
Now live on our website, new November films — including a new Restoration Roundup > bit.ly/Belcourt-Films 🎬

Now live on our website, new November films — including a new Restoration Roundup > bit.ly/Belcourt-Films 🎬 ...

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Oct 25

Open
Repost from @thefemalegaze_nashville • Hey Witches! 🪄😏 Join us for our next meetup this Saturday, October 26th at 10 am @belcourttheatre for their “She’s a Witch!” seminar on the Witch in history and film, led by Jessica Lowe, lecturer in gender and sexuality studies at Vanderbilt University. From the Belcourt: “In this seminar, we’ll explore the figure of the witch in cinema, from 1922’s HAXAN to 2015’s THE WITCH and beyond. We’ll look at the earliest filmic depictions of the witch — in particular, films that explore the early modern witch and witch-hunt. We’ll think about legacies of the witch, changing depictions of the witch, and divergent ways both the witch and the “hunt” take on meaning.” Hope to see you there! ✨ (🩸PS-for all of you Carrie voters out there, keep your eyes peeled🩸)

Repost from @thefemalegaze_nashville
•
Hey Witches! 🪄😏
Join us for our next meetup this Saturday, October 26th at 10 am @belcourttheatre for their “She’s a Witch!” seminar on the Witch in history and film, led by Jessica Lowe, lecturer in gender and sexuality studies at Vanderbilt University.

From the Belcourt:
“In this seminar, we’ll explore the figure of the witch in cinema, from 1922’s HAXAN to 2015’s THE WITCH and beyond. We’ll look at the earliest filmic depictions of the witch — in particular, films that explore the early modern witch and witch-hunt. We’ll think about legacies of the witch, changing depictions of the witch, and divergent ways both the witch and the “hunt” take on meaning.”

Hope to see you there! ✨

(🩸PS-for all of you Carrie voters out there, keep your eyes peeled🩸) ...

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Oct 24

Open
“A delight and a revelation — a deft, funny, heady, beautifully staged ramble of a road movie….” —@Variety Writer/director #JesseEisenberg’s A REAL PAIN — with Eisenberg and #KieranCulkin — opens Thu, Nov 14 at the Belcourt. And tix now on sale for the first week’s screenings (+ @nashville_jewish_film_festival introduces Nov 14’s 7pm screening). (Tickets at link in bio or bit.ly/A-REAL-PAIN)

“A delight and a revelation — a deft, funny, heady, beautifully staged ramble of a road movie….” —@Variety

Writer/director #JesseEisenberg’s A REAL PAIN — with Eisenberg and #KieranCulkin — opens Thu, Nov 14 at the Belcourt. And tix now on sale for the first week’s screenings (+ @nashville_jewish_film_festival introduces Nov 14’s 7pm screening). (Tickets at link in bio or bit.ly/A-REAL-PAIN) ...

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Oct 23

Open
This Sat, Oct 26 at 10am — She’s a Witch! A Seminar on the Witch in History and on Film —led by Jessica Lowe, lecturer in gender and sexuality studies at @vanderbiltu. Tickets are $16 ($13 for members) — and free if you have a Shocktober Ticket 5-Pack (see link in bio, or bit.ly/Seminar-Shes-a-Witch. Before witches became a Halloween season staple with their black hats, warts, and broomsticks, they were a figure of power and fear across the world and for thousands of years. But in 15th century Europe, a peculiar and ominous witch-figure was born: that of the diabolical witch, complicit in a continent-wide conspiracy led by the Devil himself. This early modern witch-figure contained within it fears of unruly gender, aberrant theological belief, and defiance of lawful authority. And, tragically, it was grimly instrumental in the European “witch-hunt” to come. In this seminar, we’ll explore the figure of the witch in cinema, from 1922’s HÄXAN to 2015’s THE WITCH and beyond. We’ll look at the earliest filmic depictions of the witch — in particular, films that explore the early modern witch and witch-hunt. We’ll think about legacies of the witch, changing depictions of the witch, and divergent ways both the witch and the “hunt” take on meaning.

This Sat, Oct 26 at 10am — She’s a Witch! A Seminar on the Witch in History and on Film —led by Jessica Lowe, lecturer in gender and sexuality studies at @vanderbiltu. Tickets are $16 ($13 for members) — and free if you have a Shocktober Ticket 5-Pack (see link in bio, or bit.ly/Seminar-Shes-a-Witch.

Before witches became a Halloween season staple with their black hats, warts, and broomsticks, they were a figure of power and fear across the world and for thousands of years. But in 15th century Europe, a peculiar and ominous witch-figure was born: that of the diabolical witch, complicit in a continent-wide conspiracy led by the Devil himself. This early modern witch-figure contained within it fears of unruly gender, aberrant theological belief, and defiance of lawful authority. And, tragically, it was grimly instrumental in the European “witch-hunt” to come.

In this seminar, we’ll explore the figure of the witch in cinema, from 1922’s HÄXAN to 2015’s THE WITCH and beyond. We’ll look at the earliest filmic depictions of the witch — in particular, films that explore the early modern witch and witch-hunt. We’ll think about legacies of the witch, changing depictions of the witch, and divergent ways both the witch and the “hunt” take on meaning. ...

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Oct 21

Open
Just announced! This Sat, Oct 26 at 1:30pm, a preview screening of Sean Baker’s ANORA, winner of the Palme d’Or at Cannes — before its full run opens Thu, Oct 31, with an opening week in exclusive #35mm! • Preview screening tickets at link in bio, or bit.ly/Preview-ANORA • Tickets for our exclusive #35mm screenings (Oct 31-Nov 7) at link in bio, or bit.ly/ANORA-35mm - - - - - - - - - - - - @anorafilm @bakerfilms @mikeymadisonsfeed @mark.eydel @neonrated @spicyivyboy @spicyivyboy @vachetovmasyan @karrenkaragulian @ekamasova @lindsey.bug

Just announced! This Sat, Oct 26 at 1:30pm, a preview screening of Sean Baker’s ANORA, winner of the Palme d’Or at Cannes — before its full run opens Thu, Oct 31, with an opening week in exclusive #35mm!

• Preview screening tickets at link in bio, or bit.ly/Preview-ANORA
• Tickets for our exclusive #35mm screenings (Oct 31-Nov 7) at link in bio, or bit.ly/ANORA-35mm

- - - - - - - - - - - -
@anorafilm @bakerfilms @mikeymadisonsfeed @mark.eydel @neonrated @spicyivyboy @spicyivyboy @vachetovmasyan @karrenkaragulian @ekamasova @lindsey.bug ...

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Oct 21

Open
“CONCLAVE is among the very best pictures of the year. It’s a knockout.” —@theavc Opening this Thu, Oct 24 at the Belcourt, from director Edward Berger (ALL QUIET ON THE WESTERN FRONT), CONCLAVE — with Ralph Fiennes, Stanley Tucci, Isabella Rossellini and John Lithgow (tickets at link in bio, or bit.ly/Belcourt-CONCLAVE).

“CONCLAVE is among the very best pictures of the year. It’s a knockout.” —@theavc

Opening this Thu, Oct 24 at the Belcourt, from director Edward Berger (ALL QUIET ON THE WESTERN FRONT), CONCLAVE — with Ralph Fiennes, Stanley Tucci, Isabella Rossellini and John Lithgow (tickets at link in bio, or bit.ly/Belcourt-CONCLAVE). ...

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Oct 20

Open
Forever…✨ 2008’s TWILIGHT — today (Sun, Oct 20) at 2:20pm + 7pm — and this Thu, Oct 24 at 3:50pm + 9:10pm* (*with an intro from musician and Belcourt staff member @brennanwedl). Tickets at link in bio, or bit.ly/Belcourt-TWILIGHT

Forever…✨

2008’s TWILIGHT — today (Sun, Oct 20) at 2:20pm + 7pm — and this Thu, Oct 24 at 3:50pm + 9:10pm* (*with an intro from musician and Belcourt staff member @brennanwedl). Tickets at link in bio, or bit.ly/Belcourt-TWILIGHT ...

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Oct 19

Open
“DON’T LOOK NOW remains one of the great horror masterpieces, working not with fright, which is easy, but with dread, grief and apprehension. Few films so successfully put us inside the mind of a man who is trying to reason his way free from mounting terror.”” re #RogerEbert. Nicolas Roeg’s brilliant adaptation of Daphne Du Maurier’s short story, 1973’s DON’T LOOK NOW — with Donald Sutherland and Julie Christie — today (Sat, Oct 19) at 12:15pm + 7pm, and tomorrow (Sun, Oct 29) at 12pm* (*with an intro from @nancymcguireroche, assistant professor of cinema and television studies at @BelmontUniv) + 9:35pm. (Tickets at link in bio, or bit.ly/DONT-LOOK-NOW) #shocktober

“DON’T LOOK NOW remains one of the great horror masterpieces, working not with fright, which is easy, but with dread, grief and apprehension. Few films so successfully put us inside the mind of a man who is trying to reason his way free from mounting terror.”” re #RogerEbert.

Nicolas Roeg’s brilliant adaptation of Daphne Du Maurier’s short story, 1973’s DON’T LOOK NOW — with Donald Sutherland and Julie Christie — today (Sat, Oct 19) at 12:15pm + 7pm, and tomorrow (Sun, Oct 29) at 12pm* (*with an intro from @nancymcguireroche, assistant professor of cinema and television studies at @BelmontUniv) + 9:35pm. (Tickets at link in bio, or bit.ly/DONT-LOOK-NOW) #shocktober ...

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Oct 17

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In May 2025, the Belcourt Theatre turns 100! Throughout the upcoming centennial year, we’ll celebrate the Belcourt’s history, the people and groups that marked its many chapters, the communities that have shaped it, and the theatre’s place in Nashville’s past, present and future. To help fund this celebration and its related projects, we turn to the generous community that has supported the Belcourt at so many important junctures. In honor and support of the Belcourt’s centennial year, we’ve launched the Belcourt 100 Donor Circle — to seek gifts of $1,000 from 100 donors, specifically in support of our centennial programs and events. You can learn more about the Belcourt 100 Donor Circle at the link in our bio, or belcourt.org/belcourt-100-donor-circle.

In May 2025, the Belcourt Theatre turns 100!

Throughout the upcoming centennial year, we’ll celebrate the Belcourt’s history, the people and groups that marked its many chapters, the communities that have shaped it, and the theatre’s place in Nashville’s past, present and future.

To help fund this celebration and its related projects, we turn to the generous community that has supported the Belcourt at so many important junctures. In honor and support of the Belcourt’s centennial year, we’ve launched the Belcourt 100 Donor Circle — to seek gifts of $1,000 from 100 donors, specifically in support of our centennial programs and events.

You can learn more about the Belcourt 100 Donor Circle at the link in our bio, or belcourt.org/belcourt-100-donor-circle. ...

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Oct 15

Open
• "The ultimate horror movie." —Guillermo del Toro • "One of the few perfect movies ever made." —Quentin Tarantino • "The most horrifying picture I've ever seen." —Stephen King This coming Wed, Oct 16 at 5:30pm + 9:20pm, your last two chances to see the 50th anniversary restoration of THE TEXAS CHAIN SAW MASSACRE (🎟 tickets at link in bio, or bit.ly/TX-CHAIN-SAW-MASSACRE) #Shocktober

• "The ultimate horror movie." —Guillermo del Toro
• "One of the few perfect movies ever made." —Quentin Tarantino
• "The most horrifying picture I`ve ever seen." —Stephen King

This coming Wed, Oct 16 at 5:30pm + 9:20pm, your last two chances to see the 50th anniversary restoration of THE TEXAS CHAIN SAW MASSACRE (🎟 tickets at link in bio, or bit.ly/TX-CHAIN-SAW-MASSACRE) #Shocktober ...

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Oct 14

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“A smorgasbord of camp, Grand Guignol, and bird imagery that thumbed its metal beak at commercial considerations just a few years before the director’s unexpected transformation into a successful Hollywood filmmaker.” —Ignatiy Vishnevetsky, A.V. Club Brian De Palma’s 1974 PHANTOM OF THE PARADISE — today (Mon, Oct 14) at 5:20pm + 8pm, and this Fri, Oct 18 at 2:45pm + 7pm (tickets at link in bio, or bit.ly/PHANTOM-OF-PARADISE). Part of #Shocktober.

“A smorgasbord of camp, Grand Guignol, and bird imagery that thumbed its metal beak at commercial considerations just a few years before the director’s unexpected transformation into a successful Hollywood filmmaker.” —Ignatiy Vishnevetsky, A.V. Club

Brian De Palma’s 1974 PHANTOM OF THE PARADISE — today (Mon, Oct 14) at 5:20pm + 8pm, and this Fri, Oct 18 at 2:45pm + 7pm (tickets at link in bio, or bit.ly/PHANTOM-OF-PARADISE). Part of #Shocktober. ...

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Oct 11

Open
“If someone handed you $114,000 and said go to Pittsburgh and make the scariest movie you can in black-and-white with no sound effects or real actors, you probably couldn’t top George Romero’s NIGHT OF THE LIVING DEAD. It’s the funniest but most real-looking horror film ever made.” —San Francisco Chronicle See George Romero’s NIGHT OF THE LIVING DEAD at the Belcourt as #Shocktober continues — this Fri, Oct 11 at 4:35pm + 9:10pm; Sat, Oct 12 at 2:40pm; Sun, Oct 13 at 5:50pm; and next Tue, Oct 15 at 5:30pm + 9:30pm (tickets at link in bio, or bit.ly/NIGHT-OF-LIVING-DEAD).

“If someone handed you $114,000 and said go to Pittsburgh and make the scariest movie you can in black-and-white with no sound effects or real actors, you probably couldn’t top George Romero’s NIGHT OF THE LIVING DEAD. It’s the funniest but most real-looking horror film ever made.” —San Francisco Chronicle

See George Romero’s NIGHT OF THE LIVING DEAD at the Belcourt as #Shocktober continues — this Fri, Oct 11 at 4:35pm + 9:10pm; Sat, Oct 12 at 2:40pm; Sun, Oct 13 at 5:50pm; and next Tue, Oct 15 at 5:30pm + 9:30pm (tickets at link in bio, or bit.ly/NIGHT-OF-LIVING-DEAD). ...

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Oct 10

Open
“With [Florence] Pugh and [Andrew] Garfield leading this tremendous love story, WE LIVE IN TIME becomes one of the best movie romances in years, and proves that few filmmakers can present the power of love quite like [John] Crowley can.” —@collider WE LIVE IN TIME opens at the Belcourt on Thu, Oct 17, and tickets now on sale (link in bio, or bit.ly/WE-LIVE-IN-TIME). @weliveintime @a24 @florencepugh @andrew_garfield83 #weliveintime #a24 #johncrowley #florencepugh #andrewgarfield

“With [Florence] Pugh and [Andrew] Garfield leading this tremendous love story, WE LIVE IN TIME becomes one of the best movie romances in years, and proves that few filmmakers can present the power of love quite like [John] Crowley can.” —@collider

WE LIVE IN TIME opens at the Belcourt on Thu, Oct 17, and tickets now on sale (link in bio, or bit.ly/WE-LIVE-IN-TIME).

@weliveintime @a24 @florencepugh @andrew_garfield83 #weliveintime #a24 #johncrowley #florencepugh #andrewgarfield ...

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Oct 9

Open
“It’s a horror classic of the highest order, a piece of master filmmaking by an iconic artist at the top of his game.” —Lee Jutton @filminquiry Michael Powell’s 1960 masterpiece (endlessly analyzed and still shocking) PEEPING TOM concludes our Powell & Pressburger x6 series — and kicks off Shocktober. Screening today (Wed, Oct 9) at 3:20pm, 8pm* (*with an intro from Belcourt staff member Cody Lee Hardin) + Sun, Oct 13 at 3:40pm + 8pm (tickets at link in bio, or bit.ly/PEEPING-TOM).

“It’s a horror classic of the highest order, a piece of master filmmaking by an iconic artist at the top of his game.” —Lee Jutton @filminquiry

Michael Powell’s 1960 masterpiece (endlessly analyzed and still shocking) PEEPING TOM concludes our Powell & Pressburger x6 series — and kicks off Shocktober. Screening today (Wed, Oct 9) at 3:20pm, 8pm* (*with an intro from Belcourt staff member Cody Lee Hardin) + Sun, Oct 13 at 3:40pm + 8pm (tickets at link in bio, or bit.ly/PEEPING-TOM). ...

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Oct 8

Open
Michael Powell’s still-shocking PEEPING TOM concludes our Powell & Pressburger x6 series — and also leads off our Shocktober selections this month. This 1960 masterpiece screens Wed, Oct 9 at 3:20pm, 8pm* (*with an intro from Belcourt staff member Cody Lee Hardin) + Sun, Oct 13 at 3:40pm + 8pm (tickets at link in bio, or bit.ly/PEEPING-TOM). Here, Martin Scorsese talks about Michael Powell and PEEPING TOM, the film that’s said to have ended Powell’s career: “When I saw PEEPING TOM, my first reaction was ‘Could this have been the same man who made THE RED SHOES?’ But then, of course I realized thee was a very strong link between the two pictures…just as there’s sort of a vital continuity running throughout Michael’s pictures, with and without Emeric Pressburger. Michael was always showing us how very necessary art it…. In a sense, PEEPING TOM was his last work on the matter. It’s also one of his greatest films.” NOTE: This Sun, Oct 13 at 1pm, we’ll have a final encore screening of the new documentary MADE IN ENGLAND: THE FILMS OF POWELL AND PRESSBURGER — rich in archival material, and presented/narrated by Martin Scorsese who explores the famous duo’s collaboration and body of work.

Michael Powell’s still-shocking PEEPING TOM concludes our Powell & Pressburger x6 series — and also leads off our Shocktober selections this month. This 1960 masterpiece screens Wed, Oct 9 at 3:20pm, 8pm* (*with an intro from Belcourt staff member Cody Lee Hardin) + Sun, Oct 13 at 3:40pm + 8pm (tickets at link in bio, or bit.ly/PEEPING-TOM).

Here, Martin Scorsese talks about Michael Powell and PEEPING TOM, the film that’s said to have ended Powell’s career: “When I saw PEEPING TOM, my first reaction was ‘Could this have been the same man who made THE RED SHOES?’ But then, of course I realized thee was a very strong link between the two pictures…just as there’s sort of a vital continuity running throughout Michael’s pictures, with and without Emeric Pressburger. Michael was always showing us how very necessary art it…. In a sense, PEEPING TOM was his last work on the matter. It’s also one of his greatest films.”

NOTE: This Sun, Oct 13 at 1pm, we’ll have a final encore screening of the new documentary MADE IN ENGLAND: THE FILMS OF POWELL AND PRESSBURGER — rich in archival material, and presented/narrated by Martin Scorsese who explores the famous duo’s collaboration and body of work. ...

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